Step Up Revolution

"Step Up Revolution" taps into the dance "flash mob" phenomenon and moves to Miami to give us the sunniest and most entertaining of these kids-gotta-dance musicals.

“Enough with performance art,” someone says in “Step Up Revolution.” “It’s time for protest art!” Yes, at long last, the street dancers at the center of this energetic but silly franchise will use their terpsichorean skills not just to delight...

“Step Up Revolution” taps into the dance “flash mob” phenomenon and moves to Miami to give us the sunniest and most entertaining of these kids-gotta-dance musicals.

Step Up Revolution is a bad movie with a few good moments, usually when the cast sets aside delusions of acting prowess and does what comes naturally to them, which is to look pretty and perform smartly choreographed seizures.

“Step Up Revolution” starts with the same romantic set-up as the original “Step Up,” starring Channing Tatum and Jenna Dewan: Rough dude from the ’hood meets uptight uptown girl. Dancer Kathryn McCormick (Season 6 finalist from Fox’s....

"Step Up Revolution" taps into the dance "flash mob" phenomenon and moves to Miami to give us the sunniest and most entertaining of these kids-gotta-dance musicals.

The plot’s still threadbare and the dialogue still cheesy, but Step Up Revolution has some thrilling, well-choreographed dance numbers...and let’s face it, that’s the reason we still go to these movies.

Step Up Revolution takes the tried-and-tested stale story. The film starts off with Sean (Ryan Guzman), the leader of a flash mob in Miami. Sean and his best friend Eddie (Misha Gabriel) have day jobs as waiters in a big hotel, while planning...

The Step Up franchise is a bit like Glee – you watch it for the musical performances, or in this case, the dancing. If you focus too much on the cheesy lines, the cliché of a storyline and the ordinary acting performances, you’ll miss it for what is...

The dialogue is ridiculous, the acting wooden — but that’s not why we go, is it? Ever since Jennifer Grey carried a watermelon, we’ve had a seemingly endless appetite to see the rich girl and the poor boy tear it up on the dance floor.

In some ways, formula films are the easiest things to review. On one hand, they’re made with a specific audience in mind, one that expects very specific things. They are not known to be original, and they work for the fans as long as they deliver on...

We already got a “Step Up” movie in 3D two years ago, and another certainly was not needed—especially one as trite as “Step Up: Revolution,” which not only lacks anybody with the charisma of Channing Tatum, who gave the original whatever pizzazz it...

Calling a Step Up movie good or bad always seems like missing the point these days. The franchise’s contribution to the dance genre is so prolific and so varied in ways no other movies could ever hope to match that when a Step Up movie is bad, it’s an in

Some film franchises, no matter how slight or throwaway, will probably always appeal to the trash cinema junkie in me.

The Step Up franchise has never been noted for its astute screenwriting, but this instalment sets the bar so low that even its bendy cast members would have trouble limboing under it. Even so, the cut-and-paste characters and plot can't make this...

There are some things that are guaranteed to be in a Step Up film - clichéd characters, bad acting, astonishingly attractive people - but the one thing audiences expect from the franchise is incredible dancing.

In essence, dance is about space and occupying space in a meaningful way. Business, incidentally, is also about occupying space. The not so literal occupation is when it takes over your mind-space and a very literal way is when it captures spaces of...

Move over, Chris Nolan: yours isn’t the only summer entertainment with the Occupy movement on the brain. Pavement politics prance through this latest instalment of the fleet-footed, dim-witted dance franchise, for some reason not called ‘Step Up 4 Ur...

Step Up นับเป็นภาพยนตร์แฟรนไชส์ที่โด่งดังลำดับต้นๆของผู้รักการเต้น ส่วนตัวแล้วประทับใจกับภาคต้นที่นับเป็นความใหม่ที่ส่งให้การเต้นกลับมาบูมในรอบหลายปี ไม่ว่าจะเป็นการผสมผสานระหว่างสตรีทแดนซ์กับบัลเล่ห์ และภาคสองที่ทำให้ท่าเต้นของสตรีทแดนซ์เป็นที่จดจำมากๆ